I work with, and sometimes at, a guitar shop in Scottsdale called Guitar Gallery, I have since I was 15 years old. Occasionally we get people bringing in some beautiful classic guitars. One day a lady came in with 8 instruments. There was a ’57 Gibson Switchmaster, a ’78 LP Jr, a ’52 reissue tele…great guitars. The last one she showed us was in her words, “some ugly piece of junk”. At first glance, she was right. Strat style body with a terrible spray paint refin. But, I immediately noticed the neck, a well aged Lake Placid blue Jazzmaster neck with the transition headstock, so mid ’60’s. Having worked in this business for 20+ years I knew there was something to this guitar, ugly as it may have been. So I told her I would investigate what was up. She was prepared to give it to me, but I couldn’t in good conscience take it, not with the feeling and vibe it was giving off. So I began…
The neck was indeed a ’65 Jazzmaster neck with schaller tuners on it, an ill advised mod on an old Fender because to function correctly more string trees are needed, and this had them…so the neck’s value was pretty much shot. The Fender neck plate dated to 1972 and I began to piece together a theory. Perhaps sometime around 1972 a Strat had suffered an unfortunate accident? Perhaps, since at that time a ’65 Jazzmaster wasn’t valuable, the neck had been replaced…hmmm. Well, the body WAS something special. My first clue was the tremolo, a wonderfully aged, but relatively clean Strat trem with “Pat. Pend.” stamped saddles, SCORE! With the pickguard removed I was able to completely date everything, body, pots, switch, cap, and the pickups to 1960. This was a gem, not a terribly valuable vintage guitar (besides the pickguard, of course), but a dream for a player. So I thought “I’m a player, and even after 30+ builds, I’ve never built a guitar for myself”. I called the lady and proposed that I buy the body and neck, and broker the sale of the very valuable 1960 pickguard assembly, which she agreed to quite ecstatically, having believed that this was a junk guitar. It was now my future guitar.
I immediately got to work stripping the finish.
I quickly found the signs of the original guitar’s, and it’s neck’s, unfortunate demise.
Since this part of the guitar isn’t actually very structurally important, this was an easy fix with a flood of superglue and some wood putty. Upon further inspection, I also discover it’s original color behind the tremolo claw, Fiesta Red.
She must have been a beauty.
As I prepared to lacquer the body, I decided to not use the Jazzy neck on my finished instrument. The tight 7.25″ radius just didn’t fit my playing style. I wanted a compound radius, 7.25″ to 10″. So, I made a new neck, one piece birdseye maple.
I chose to lacquer the guitar in black and with that neck, and for a Pink Floyd fan, there was only one option for the rest of the hardware and pickguard, right? So I made a pickguard of 1/8″ black acrylic, rounded the edges, collected the parchment parts together along with some Tone-Pros vintage style Kluson tuners, and with the lacquer cured, set to putting together my new instrument.
I loaded up the pickguard with Curtis Novak’s vintage Strat pickups, Mojo CTS pots, a vintage NOS Russian military capacitor, and traditional cloth wiring.
Then I assembled my new instrument. Here she is…
She’s light weight, plays like a dream, and sounds fantastic. I am a happy man, a happy man who plays a vintage 1960 Strat…almost!